100 Kris Kristofferson Quotes for Everyone

Kris Kristofferson, the legendary singer-songwriter and actor, passed away, leaving behind an enduring legacy in both music and film. Known for hits like “Me and Bobby McGee” and his role in the outlaw country movement, Kristofferson’s soulful lyrics and raw performances touched the hearts of millions. His work not only influenced generations of musicians but also spoke to the human condition, making him a beloved figure in entertainment. Though he is no longer with us, his spirit lives on through his timeless music and profound words.

Kristofferson was a great icons of country music, writing lyrics and quotes infused in a combination of wisdom, defiance, and contemplation. If it is none of the above, one can still turn to his words for great understanding regarding life and love and the living of a person. In this piece of writing, we will take a look at some of the best quotes made by Kris Kristofferson and the teachings behind those great quotes.

Kris Kristofferson must be one of the few superstars who has made a noteworthy contribution to country music over the years. Most of his songs are biographical in nature and therefore serve as a potent synthesis of his life’s disorders, emotions, and philosophies.

Perhaps this is where the beauty of his followers lies. Simple phrases, seem to cater to the resolution, of any divided or complex issues among very young and elderly followers. We will also discuss some of Kris Kristofferson’s quotes and lyrics that explain what it means to live a free life.

100 Most Popular Kris Kristofferson Quotes

It was Kristofferson’s craving to tell the lives of other people as they really are that makes his quotes so strong. His words are often about self-analysis and searching for something significant. Kristofferson gives his audience the sensation that he is free to speak on any topic, aiming, it seems, to reach the dissolution of the persona. Taking Kristofferson, we are endowed with acting as an assortment of quotes ready to pierce right through the heart.

• If God made anything better than women, I think he kept it for himself.
• If you can’t get out of something, get into it.
• I watched Dylan record ‘Blonde On Blonde’ in my first week at work at CBS. It was just incredible.
• I have scars on my face that tell some kind of story. I’m looking in the mirror, and I have one scar that’s two scars—half from a baseball bat and half from playing football in college. I’ll tell you, though, after a while, your face gets so wrinkled up you can hardly see them.
• The great thing about Nashville back in the day was that the old guys hung out where the young guys were. The established writers like Harlan Howard and Jack Clement gave us encouragement and passed the guitar, you know? Chet Atkins let me sit in on his sessions. Everybody was good to us, and everybody loved the music.
• Freedom is just another word. It seems to get truer the older I get.
• Never give up, which is the lesson I learned from boxing. As soon as you learn to never give up, you have to learn the power and wisdom of unconditional surrender, and that one doesn’t cancel out the other; they just exist as contradictions. The wisdom of it comes as you get older.
• I’ve been writing songs since I was a little boy. You know, I think I wrote my first song when I was 11.
• I boxed in Golden Gloves at Oxford and still know how to throw a straight left jab.
• When I was thirty, and a long time after that, I felt like I had to leave home to do what I had to do. Now, it’s just the opposite.
• I always had to wait until something hit me and I could write it. But when I would cut an album, to me it represented the time that I spent since the last one. Just the way I was looking at the world.
• Tell the truth. Sing with passion. Work with laughter. Love with heart. ‘Cause that’s all that matters in the end.
• Just the words and melody—that’s what moves your emotions.
• Right after I resigned from the Army in 1965, I flew helicopters for oil platforms in the Gulf of Mexico. I flew personnel from rig to rig, and I’d live on a platform out at sea.
• There was a film that really affected me, ‘La Strada’ by Fellini, where Anthony Quinn and Giulietta Masina travel around on his little motorcycle thing.
• By not having to live up to people’s expectations, I was somehow free.
• The closest I’ve come to knowing myself is in losing myself. That’s why I loved football before I loved music. I could lose myself in it.
• I think I’m a much better father as an older man than I was with my first kids. Occasionally, I have to yell at the little guys, but they don’t take me seriously. ‘Listen to the old guy,’ they say. ‘Isn’t he great? He’s mad.’
• I’ve had a life of all kinds of experiences—most of them good. And I’ve got eight kids and a wife that puts up with everything I do and keeps me out of trouble.
• I never thought of acting as a creative process. Christ, I used to go to the movies and see Brando talking like he was trying to sell shoes, and he was great. I thought anybody could do it. Then I tried it, and I got so uptight, I’m limited as to what I can do on film.
• I feel so lucky to have lived the life that I did and to be surrounded by the people I love. I’ve got eight kids, and they’re always laughing all the time. It’s like music to my ears. I think that my frame of mind these days is probably happier than I’ve ever been, which is kind of odd, coming close to the finish line.
• I wish my memory weren’t so bad. They tell me it’s from all the football and boxing and the concussions that I got.
• I was never big or fast, but I got to play football and box.
• I don’t think I’m that good a singer. I can’t think of a song that I’ve written that I don’t like the way somebody else sings it better.
• Human rights is something that wasn’t hard to be inspired to write about because there have been so many violations of those rights.
• They say the first thing to go is your legs, then it’s your reflexes, then it’s your friends.
• I feel like I’m kind of lazy, but I keep the yard looking good.
• I was in Nicaragua with the Sandinistas. I’ve argued for Leonard Peltier, Mumia Abu-Jamal, and the United Farm Workers. I’ve been a radical for a long time. I guess it’s too bad. I’d be more marketable as a right-wing redneck. But I got into this to tell the truth as I saw it.
• I turned 30 as a janitor. I was thinking at the time that Hank Williams died when he was 29. All my peers were at least 10 years younger than I was. I felt like an old has-been at the time.

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• Johnny Cash has always been larger than life.
• I hope that I’ll keep being creative until they throw dirt on me.
• I have no regrets. I feel very grateful for the life that I had—you know, family I live with—and I’ve been doing work that I love ever since I came to Nashville.
• If God made anything better than women, he kept it for himself.
• I’ve never forgotten a single record I cut or a song I wrote.
• Those ‘Idol’ shows are kind of scary to me. They wanted me to be on one of those panels one time, and I said it’s the last thing in the world I’d ever want to do. I would hate to have to discourage somebody.
• To me, the best love songs work on two—maybe three—different levels, where you’re talking about the person who you’re right opposite and all the people like that.
• I was working the Gulf of Mexico on oil rigs, flying helicopters. I’d lost my family to my years of failing as a songwriter. All I had were bills, child support, and grief. And I was about to get fired for not letting 24 hours go between the throttle and the bottle. It looked like I’d trashed my act. But there was something liberating about it.
• I feel like an old boxer. The brain’s gone, but I can still move around.
• If it hadn’t been for Johnny Cash, I’d probably have been a Nashville songwriter because that’s what I had done for almost five years.
• That’s who I wanted to be like—Bob Dylan.
• When I wrote ‘Help Me Make It Through the Night,’ I was on an oil platform out in the middle of the Gulf of Mexico and was just thinking of myself.
• Johnny Cash’s legacy, I think if it were one word, it would be ‘integrity.’ He was the original wild man and grew from that guy that was doing all the crazy things that you read that rock n’ rollers do to being someone who was like the father of our country, you know. He was a guest at the White House. He was Billy Graham’s friend.
• Your weight has to be behind the punch to make it matter.
• To me, if you love it enough to devote your life to it, then you’re doing the right thing.

• To do the things that I did, I’m amazed that I had the audacity—like resigning from the Army and becoming a janitor and a songwriter.
• There are points in your life, especially if you have creative ambitions, where selfishness is necessary.
• Everything that I write is sort of autobiographical, and I don’t know that I’m getting better, but I’m certainly running out of time.
• You don’t paddle against the current; you paddle with it. And if you get good at it, you throw away the oars.
• I had a list of rules I made up one time. It says: Tell the truth, sing with passion, work with laughter, and love with heart. Those are good to start with, anyway.
• The one thing I regret is missing the time with my older children when they were young.
• I never was one to go into an office and write. For one thing, I had a job. I was cleaning the ashtrays and setting up the studios at Columbia for a couple of years and working every other week down in the Gulf of Mexico flying helicopters. I didn’t really get to just write songs for about five years.
• I am grateful every morning I wake up. I’ve got a big family full of kids who laugh all the time and love each other.
• I feel like sometimes, when I’m singing a song like ‘Moment of Forever,’ that it goes both to your significant other and to the audience, and was it wonderful for you, you know? I think the best love songs I’ve written work on that level, like ‘Help Me Make It Through the Night.’
• There are a lot of Iraqi people we can never pay back for what we’ve done.
• I can interpret my own work honestly. And performing by myself seems to focus the attention in the right places.
• I really have no anxiety about controlling my own life.
• I enjoy looking back on my life. I’m thinking seriously about starting to write about it.
• It’s much better being an older father. You don’t have to go prove to the world and to yourself that you’re who you want to be, for better or worse.
• I used to think that my songs were the best things that I would leave behind me. And I definitely think my kids are now. For starters, they’re writing better songs than I was at their age.
• When I was stationed in Germany, Johnny Cash was already a legend over there because he’d done some shows, then gone off to some bar straight afterwards and played just for the troops. So he was a real hero.
• The most valuable thing to me seems to be time, and with time, I can be great. I have been… and I will be.
• The first movie I was ever on was a Dennis Hopper film down in Peru.
• There’s a time where people were out holding posters in protest outside shows I was doing, and thankfully, we’ve moved past that. And a lot of country stations wouldn’t play me. They were more conservative than I was.
• Every album I’ve made is about what I’m experiencing at the time.

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• Looking back, I’m surprised I had the nerve to do it, but I’m glad I did. Performing the songs and performing in film was just a part of my personality, just like football and boxing at one point in my life. I was able to lose myself in both of them, and that was a good feeling.
• I did co-write ‘Moment of Forever’ with Danny Timms. He wrote the melody, and I just did the words.
• Dylan’s relationship with Johnny Cash was the biggest influence on Nashville in my lifetime—they opened up country music.
• What really makes me happy now is my home. I know that I have that to lose. But I don’t see losing it. And I don’t care if I never do another movie. And I don’t care if I never get back on the road. I like to think that I’m going to do that. But if I don’t, I can live with that.
• I think that a society lives or dies according to its respect for—for its art.
• I remember having a lot of Josh White albums. Johnny Cash. Elvis. I loved the Coasters.
• Look at me! I can go from ‘Donny and Marie’ to Sam Peckinpah to Radio City Music Hall in one week.
• I gave everything I ever wrote to Johnny Cash. I think he said later in some interview that he would take them home and throw them in the lake with all the other demos. I’m sure he got a million of them.
• It’s always embarrassing when somebody does something praiseworthy of you.
• Bobby Bare is one of the greatest people in country music.
• I think it’s kind of odd that ‘This Old Road’ was the first video I ever did. Because of all of the work I had done in films and everything, you’d think I would have done a video before that.
• I’ve never really felt comfortable co-writing. I usually go at my own speed, you know.
• I ended up being friends with all my heroes. Lefty Frizzell, George Jones, Johnny Cash—it was incredible.
• I’ve been trying to think of things to tell my kids, something that I could pass down, and it’s like, gee whiz, I maybe never learned anything that didn’t contradict itself.
• I had fought for my independence and fought for my freedom to do as I chose.
• Havin’ Dylan cover one of your songs is like being a playwright and having Shakespeare act in your play.
• If ‘Bobby McGee’ lasts, if ‘Star Is Born’ lasts, if ‘Help Me Make It through the Night’ lasts, if all of ’em last, man… who cares?
• ‘Heaven’s Gate’ was based on a true story about the cattle people: the people who had the money turned on the settlers who were in the area. And it was mainly a defense of their behavior. And the cattlemen’s association had just about declared war on these people who were poaching cattle, and because they were mainly immigrants.
• I have a special place in my heart for Nashville because it saved my life back in the day.
• My albums really are like scrapbooks to me.
• ‘This Old Road’ somehow seems to get better the older you get.
• ‘Sunday Morning Coming Down’ is probably the most directly autobiographical thing I’d written. In those days, I was living in a slum tenement that was torn down afterwards, but it was $25 a month in a condemned building, and ‘Sunday Morning Coming Down’ was more or less looking around me and writing about what I was doing.
• I’ve come to appreciate how special a song is compared to other art forms because you can carry it around in your head and your heart, and it remains part of you. It just comes as natural as a bird to me; it always did. It’s the way singer-songwriters make sense of our lives.
• The older I get, the less conservative I become.
• I remember I had an actor friend—a close friend from college—Anthony Zerbe. He sent me a telegram before I started my first movie, ‘Cisco Pike.’ It said, ‘Have a good time. Ignore the camera.’ That was the extent of my training.
• I grew up listening to Hank Williams and Johnny Cash, so arriving in Nashville in the ’60s was really exciting for me.
• As far as fame, the everlasting fame thing. I used to think that was important for a writer—the desire to make your mark.
• There was time in the first half of the ’80s when what I was saying on the stage was controversial. A lot of things I was talking about—Nicaragua and American foreign policy.
• Every time I turn on the radio, I must be on the wrong song or something. But, to be honest, since I went on the road back in 1970, I didn’t listen to radio music because I didn’t want to subconsciously steal somebody’s stuff.
• My old man worked for Pan American.
• I have no neighbors. I live in a small town where everybody is very protective of me.
• Songs are just like your kids. You love them all, and they’re all different. I can’t really pick out favourites.
• I’ve tried to be more self-sufficient as I’ve gotten older. I’d like to not worry about whether they’re going to sell my next album or book. Hell, William Blake wasn’t even published in his lifetime.
• Being in love with a lot of people is incompatible with a stable family life.

Conclusion

Kris Kristofferson’s quotes are not merely the strings; these are the lessons that shall never cease to have an effect upon us. Kris’ admirable level of knowledge, humor, and a rebel spirit clouded with all his interweaves film my brain with stunning impressions. For those who like his music or just would like to be inspired, Kris Kristofferson’s quotes are based on deep truths that everyone can take some benefit from.